October 31, 2010

Trick 'r Treat!

"Boo", everyone!
Please, enjoy this gallery of happy Halloween hijinx...
if you dare!

I can hardly stand seeing this pic. Guess
I just don't have the stomach for it...

What you can't see here is the small print
which reads, "Butcher knife sold separately."

Alright. As far as I'm concerned, these pumpkins
are sooo hideous that they're actually "cutting edge!"

Holy crap! If these kids were walking down
MY street, I'd find me a baseball bat QUICK!

Nothing funny, here. I just like the soft
candlelight from the jack-o-lantern. Plus,
I think she's a pretty lady.

...And then eat ALL of their candy
once they've gone to bed!

Happy Halloween! And remember, don't open your front door if the Trick 'r Treaters are so tall you can see their eyes through the peep hole!

~ All images taken from Jim Heimann's book, 'Halloween: Vintage Holiday Graphics'. Published by Taschen. ~

October 29, 2010

The Worst Album Covers Ever!: 'Marcy Sings to Children' by Marcy Tigner

Artist ~  Marcy Tigner
Title   ~   Marcy Sings to Children

                    Marcy Tigner was an aspiring gospel singer whose
                    career was stymied by her high, childlike voice. She
                    finally found fame after learning ventriloquism and
                    inventing her "Little Marcy" character. She released
                    dozens of records in the 1960s and '70s and was
                    wildly successful.

As far as I'm concerned, this is a perfect album to share this time of year! It's just so darn creepy, don't you think? There's something about that little doll singing on that little stage of hers... I know, I know, it's all supposed to be nice, innocent fun. But did you happen to notice the second song title on the first side of the record? It's 'When Mr. Satan Knocks At My Heart's Door', for corn sake! Now, if that doesn't at least seem creepy to you...

~  Image and info taken from the book, 'The Worst Album Covers Ever' by Nick DiFonzo. Published by Barnes & Noble, Inc. ~

October 14, 2010

Advance to Hollywood! My on-camera MONOPOLY interview with documentary filmmaker, John Wellington Ennis.

Imagine my surprise upon receiving an email from a young, accomplished, and well-respected independent filmmaker from Beverly Hills. Now, imagine how I felt after reading that he wanted to sit down and interview me, on film, about my knowledge and enthusiasm for the game of Monopoly. I just about flipped my board! But seriously, I was more skeptical about the whole thing at first, than I was excited. I mean, why would this Hollywood filmmaker want to talk with me about such a commonplace game in our regular, everyday pop culture?? However, after some correspondence with Mr. John Wellington Ennis, I finally understood where he was coming from. It's simple, really. See, what interested John in the first place was my original post on Monopoly I wrote back in July of 2009. He said he not only liked how informative it was, he also really liked my enthusiasm for the game and thought that my energy could be good for his film.

So that explains why John was interested in talking with me, but it doesn't tell the whole story... The bigger picture in John's film, PAY 2 PLAY, consists of using the game of Monopoly in a symbolic way to help illustrate "the cycle of how political campaign costs breed corruption, making candidates beg, borrow, and steal." It also "shows how" we can "take back the election process and hold corporations accountable." And it also happens to be a sequel of sorts to his previous, critically acclaimed doc, Free For All!, which detailed the corruption of the 2004 U.S. election.

John, behind the camera, and li'l ol' me in front of it.
Man, are those camera lights bright!

Needless to say, I was pretty nervous come interview hour, never having done anything like it before in my life! But I must say that John was so professional and so good at directing me that I almost instantly felt at ease in his hands. I had a total blast talking about one of my favorite board games of all-time! I just hope that I didn't make a total fool of myself on film, you know? I have yet to see any part of what John shot, so it'll be quite interesting when I finally do get to see it...

The project is in post-production as I write this, and in desperate need of funding to complete. So if you're at all interested in donating to this wonderful cause, please, check out the information below. You can also click on the attached link to view a preview of the film! You should really look into it, whether donating, or not, because john is a brilliant, witty filmmaker who infuses his work with plenty of intelligence and humor. I'm telling you, I believe in this guy. And I'm not just saying all of this because he's putting me in his documentary, but rather I think his films are good enough to actually make a difference.

Here's another shot, from a different angle, of John setting up his
camera equipment. FYI - I only LOOK calm, cool, and collected...

Yet another shot of the set up, however, I think John
might've already begun asking me questions, here.

At this point, the main interview was over and John was curious
to see what different variations of Monopoly I owned, so I
busted out a few and set 'em up for the camera. John was such
a cool guy, I sorta wished he had the time to stay and play an
actual game... Of course, that easily could've taken hours!

It's a wrap!
Me, and John Wellington Ennis after a successful afternoon shoot.

~ All photos taken by Tommy Kovac, and property of Anthony See ~

October 5, 2010

Guilty Pleasures: Kanye West on SNL

First off, I'll have you know that I do not like rap. Not. One. Bit. Secondly, I must say that I cannot stand Kanye West's arrogance. Not. One. Bit. It bugs me so much that I usually refuse to even look at him, much less listen to any of his music. So the fact that I actually enjoyed watching his performance last Saturday night, on SNL, has me completely baffled.

Particularly his second act of the evening, 'Runaway', had that "something" special about it. I'd almost dare to describe it as "beautifully artistic, with an edge". And whether the lyrics are heartfelt, or not, the song does convey a certain amount of humility (which is quite a foreign concept to Mr. West). I guess that's why it grabbed my attention and didn't let go. I mean, as he sings he basically admits to having been a jerk, an a**hole, a douche bag, etc. which is, after all, pretty satisfying.

But all pettiness aside, I enjoyed the spectacle of it. I liked the song; it was pretty great, even with the rap. The ballerinas were awesome. It all looked beautiful flooded in that bright white light. And dare I admit it... I actually thought Kanye was fricking fantastic!

Take a look for yourself, and enjoy the show!

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